A-1 Video & Film Services

NEWS AND EVENTS

 

Thank you for visiting our WEB SITE. It is continuously undergoing changes  and additions. New releases are added at any time. In addition to any NEW RELEASES that are added, there will be some news about collector's conventions (see below) and other related topics. Recommended reading of books and periodicals are listed in each section according to related topic (i.e. musical, comedy, silent cinema, etc.)   Visit our "Other Sales and Services" section for thousands of collectibles and rarities.
 

A-1 Video remembers Rusty Cassleton
  Our list of fallen comrades has grown again most tragically.
Harold “Rusty” Casselton, 53, died at Rochester (Minn.) Methodist Hospital from complications of cancer.
Thanks to Rusty's efforts throughout the years we've had many great silent era comedies available to us that otherwise would have been unavailable on 16mm. He had a great joy for our hobby and unlike some collectors, shared his wealth of material and his knowledge with us. I'll miss his friendship and my condolences go out to his family. He left us far too soon.

  Casselton became director of MSUM’s film studies department in 2001 after spending 22 years at Concordia College.
He was internationally known for film preservation and restoration, had an enormous film collection and worked with the Fargo Film Festival every year.
  “Rusty was a phenomenal leader in his area; just always very full of energy,” said Kathleen Enz Finken, MSUM dean of arts and humanities.Rusty Casselton was director of film studies at Minnesota State Moorhead. Forum file photo

RELATED CONTENT
Amy Dalrymple Archive Students and others who knew Casselton will likely be shocked to hear of his death because few knew he was sick, Enz Finken said.
Casselton discovered he had cancer in March and doctors said he’d have two to five years to live, said his wife, Cindy Casselton. He chose not to tell many people about his illness, she said.
“He decided to live and not give in to the cancer,” Cindy Casselton said. “To tell now meant that everyone would be wondering and waiting. He just didn’t want that.”
Casselton died of complications from a procedure to shrink the tumors on his liver, his wife said.
He was surrounded by his family and friends, including daughters Hannah, 16, and Amanda, 14.
MSUM sent e-mails to students in the department notifying them of Casselton’s death. Assistant professor Kyja Kristjansson-Nelson said many students will likely return to campus early to attend his funeral.
“Rusty was very well-liked by the students and very well-respected,” she said. “They just really liked him and his classes.”
Casselton’s predecessor and business partner, Ted Larson, a longtime MSUM professor, died unexpectedly in 2000 at age 60.
Casselton took over the department after that difficult time and built it into a strong program for the region, Kristjansson-Nelson said.
When the film studies major was approved at MSUM, there were 30 students in the program. Three years later, MSUM has more than 120 film studies majors, Enz Finken said.
“He really dedicated a tremendous amount of time and energy into that program and it was all for students,” she said.
   First and foremost, though, Casselton was a father and husband who shared that passion for film with his family, his wife said. “We would watch films in a different way,” Cindy Casselton said. “I would watch it for the story; he would say ‘Did you see that bad edit?’ ”
  Amanda Casselton remembers getting excited about Charlie Chaplin when her friends had never heard of him.
“I was my dad’s little film girl,” she said.
  Rusty Casselton also was involved with the Fargo Theatre, serving on the board, providing films for silent movie night and working with the Fargo Film Festival.
His preservation and restoration work has appeared in numerous documentaries and is played on television and at museum and archive showings around the world. “He has a real legacy for a very young man,” said Margie Bailly, the Fargo Theatre’s executive director. Readers can reach Forum reporter Amy Dalrymple at (701) 241-5590

Thanks to Tom Stathes for this Related Content information.

MORE ON RUSTY

Careful readers of Film Forum’s repertory calendar over the past 20 years will recognize that name. On just about any series that included a silent movie, it could be found in the “special thanks” section, appearing scores of times.

Harold “Rusty” Casselton was a collector, archivist, private preservationist, and college instructor, who died on December 30 , 2007 at age 53.

A notice in his local newspaper described him as “a film buff,” but the word “buff” doesn’t begin to describe who he was, or his contribution to film culture.

Rusty was a passionate collector, who, with his late partner and mentor Ted Larson, built up one of the world’s great private film libraries; a cinevangelist, whose love of movies (silents in particular) was infectious; and a gifted teacher, who turned his students, far from recognized film centers, into ardent aficionados for life.

He established a film studies major at Minnesota State University Moorhead, in the small city where he lived with his wife and two daughters. (Moorhead is adjacent to Fargo, North Dakota -- yes, the same town immortalized in the Coen Brothers movie.) When his program began in 2000, thirty MSUM students elected it as a major. That number quadrupled within three years.

The film collection amassed by Rusty and Ted, with virtually no public funding, is legendary. Thanks to them, Film Forum has been able to show some super-rare silents not available elsewhere, films with Clara Bow, Colleen Moore, Marion Davies, Buster Keaton… you name ‘em. The Larson/Casselton collection even includes rare films by foreign masters like Murnau and Lubitsch.

Even more impressive is that Rusty also restored films, normally the work of big archives and an extraordinary job for an individual.

One of his restorations was the 1920 "Headin’ Home", starring Babe Ruth, which we presented on the 100th anniversary of the Sultan of Swat’s birth. Rusty rushed the restoration through to meet the date.

That’s the kind of guy Rusty Casselton was.

- Bruce Goldstein, Director of Repertory Programming, Film Forum

All rights reserved


 

 

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Dear Friends of BQE,

It looks like we're off to a running start with our latest film performance. I'd like to send a very warm thanks to all who attended our premier of the Golem at the Whitman Theater a few weeks ago. The show was a great success and a wonderful way to kick off a brand new score. If you weren't able to attend the concert, you'll have another chance to catch our show at the Jacob Burns Film Center on April 9th. Also, many thanks to Seth Soloway and Brooklyn Center for the Performing Arts for commissioning this production.

See you soon.....

Tom

The BQE Project w/ The Golem (Live at the Jacob Burns Film Center)
Date:
Wednesday, April 9th
Time: 7:00 PM
Where: Jacob Burns Film Center
Location: 362 Manville Rd. Pleasantville, NY 10570
Phone:
914-747-5555 info-line for showtimes
Ticket information
: https://tickets.burnsfilmcenter.org/php/calendar.php?month=4&day=9&year=2008&sid=&cmode=0&org=2
Directions: http://www.burnsfilmcenter.org/about/directions.html

All music composed by Tom Nazziola and performed live by The BQE Project

The BQE Project members:
Composer / conductor: Tom Nazziola
Violin: Todd Reynolds
Cello: Jennifer Devore
Upright bass: Gregg August
Piano: Doug Oberhamer
Guitar: Paul Livant
Percussion: Dave Anthony
                                    

“…..Not only does the music sync so closely to the film imagery that one could believe it was a soundtrack on the film itself, but the melodic themes and the powerful moods that Nazziola is able to create, even within the very constricted confines of the timing and movement of the existing imagery, are just mesmerizing.”
-
     Brooklyn Center for the Performing Arts

“Tom Nazziola's original score to the silent film, "The Golem," is a fantastic musical achievement.  Magical, mysterious, colorful and relentless!  The amazing music plays from the beginning of the movie all the way to the end, but every moment of it is pure genius and the musicians all play brilliantly.   I can't wait to hear it again.  Not only does the music work perfectly with the movie but the music, on it's own is just incredible music.  Absolutely brilliant!  Tom convincingly and appropriately used the unusual and exotic sounds of Jewish ethnic music (Sephardic, Greek & Arabic) in his own personal and unique way to create a stunning and artistic musical experience.  I've always been a fan of Tom's music and the BQE Project, and I've been to many of their events, but "The Golem" is on a whole other level of greatness.  My favorite without a doubt.  Not to be missed!”

- Barry Hartglass
(Barry Hartglass Music Composition & Production)

“Having seen that film (silently) before, I had never fully enjoyed or understood it.    But your score, with its effective evocations of Jewish music (and the movie's fabulous abstract-expressionist sets) and its cogent support of the rather complex, often “patchwork” and slightly erratic dramaturgy in the film, made the weird tale come fully ALIVE for us in the audience.   THANK YOU!    Keep up the great work!”

- Dr. Bruce C. MacIntyre,
Director; 
Murray Koppelman Professor of Music
Conservatory of Music, Brooklyn College


 


The Soundies Book

 

A Revised and Expanded Guide
by Scott MacGillivray & Ted Okuda
Book Description

"Soundies" were the granddaddies of music videos: single-song musical movies that played in special jukeboxes during the 1940s. Some of the biggest musical stars (and stars of the future) appeared in these films: Louis Armstrong, Spike Jones, Liberace, Fats Waller, Stan Kenton, Cab Calloway, and many others. Thanks to Soundies, hundreds of unique musical performances were photographed for posterity. These mini-musicals were originally nothing more than a ten-cent novelty. Today, to film and music fans, they're a priceless part of history.

Scott MacGillivray and Ted Okuda, authors of the landmark resource book The Soundies Distributing Corporation of America, now offer this revised and expanded guide to the Soundies musicals. This all-new book picks up where the original left off: more than 1800 titles are classified by performer, title, and date-many with new, individual annotations and all with new cross-references for easy reading and consultation. There is also a historical account of the prolific Soundies production companies, a look at Soundies' many competitors and descendants (including telescriptions and Scopitones), a checklist of the dozens of Soundies home-movie editions, and a listing of alternate titles to help collectors identify the films more easily. All in one handy volume: The Soundies Book.

About the Author(s)

Scott MacGillivray wrote Castle Films: A Hobbyist’s Guide, Laurel & Hardy: From the Forties Forward, and (with Jan MacGillivray) Gloria Jean: A Little Bit of Heaven. Ted Okuda wrote The Monogram Checklist, Charlie Chaplin at Keystone and Essanay (with David Maska), and Chicago TV Horror Movie Shows (with Mark Yurkiw)
You can order this book at your local book store or on line at Amazon . com
The ISBN number for this book is 0-595-67969-2



 



Links to other cool movie sitesSHOWS OF INTEREST
 

Syracuse, N.Y. "Cinefest" 2008 dates announced
for March 13-16, 2008

The 27th annual Cinefest dates are set for March 13th through 16th 2008 Keep an eye out for announcements of the film schedule for 2008 in the upcoming months!

Photos of recent Cinefest activities courtesy of Larry Urbanski and Patrick Picking.

Cinefest General Information:
Robert Oliver
307 Dewitt Road
Syracuse, NY 13214-2008
315-446-1493 prepaid evening calls only 7-9 pm EST
mailto:ROLIVER9@twcny.rr.com?Subject=Cinefest 2006


Cinefest Dealer Information
:
Gerry Orlando
101 Terrytown Heights Drive
Syracuse, NY 13219
315-468-6147, evenings 7-9 pm EST
mailto:gorlando@twcny.rr.com?Subject=Cinefest 2006
 

 

 

 




Cinevent photos courtesy of
Jim Smith

 

Another great success at
Columbus CINEVENT 39

Columbus, OHIO
Don't miss out on the 2008 show!  To get on the mailing list contact;
CINEVENT
P. O. Box 13463
Columbus, OH 43213

24-hour Voice Mail (866) 785-7687
Join us at "The Midwest"
Hotel and Conference Center (formerly the Ramada Plaza Hotel)


also at this same event;
THE 15th ANNUAL VINTAGE POSTER ART AUCTION For more information on the auction contact;

   MORRIS EVERETT, JR.   
10535 CHILLICOTHE RD
KIRTLAND, OH 44094 
(440) 256-3660 
Fax (440) 256-3431 
MARTY DAVIS
43215 N. NATIONAL TRAIL
 ANTHEM, AZ 85086
(623) 551-6655
Fax (623) 551-6622

Featuring great films from four glorious days from the vaults of the world's greatest libraries and obscure specialties we are noted for from private collectors!

 

Capitol Theatre Logo

220 W. Dominick St.
Rome, NY 13440

315-337-6453

The Capitol Theatre in Rome, N.Y.
Rome's Center for the Performing Arts
Moeller organ at Capitol Theater, Rome, NY

Mural

The Capitol Theatre

The Capitol Theatre is a 1,741 seat 1928 movie palace which now operates as a civic center. The theatre offers a variety of entertainments, including live theatre, children's productions, and classic silent and talking films. The silent movies are accompanied by the theatre's original installation Moeller theatre pipe organ.

Ongoing programs include Summerstage, consisting of live stage productions. Between May and September of 2004, for example, shows included "The Will Rogers Follies," and "Big River." Silent movies with live theatre organ accompaniment are screened during spring, summer, and autumn months. The films are shown in archival 35mm prints with music provided by the powerful sound of the Moeller theatre organ. (One of only four original installation Moellers in U.S. theatres today.) Presented are 1920s movies in a 1920s movie palace accompanied by great silent film musicians playing completely authentic 1920s scores.
The Capitol's goal is not just to SHOW these rare gems of the past, but to RE-CREATE THE EXPERIENCE of going to the movies in the 1920s. The two-day festival of silent and early talkie films, "Capitolfest", occurs in August.

Groups & Tours
Buses may load and unload in front of theatre and park without charge in a nearby parking lot. For more information on renting the Capitol theatre facilities, programs, memberships, live performance, volunteer opportunities and movies, please call 315-337-6277, Monday through Friday, 11:00 AM to 3:00 PM or by email at capitoltheatre@when-in-rome.com. For event information, call the Capitol Box Office at 315-337-6453.

Rising Stars Children's Theatre Workshop

The Rising Star Children's Theatre shows allow students to use the skills they learn to work together to bring a play to life on the stage. The Rising Stars Parent Support Group provides financial and technical support for each production.

Curtain Time for Summerstage is 8 PM

Call 315-337-6453 for the latest times of other events.


Seating Capacity: 1700

Audio-enhancement system for the hearing-impaired

Meeting services and on-site catering are also available.

Support the Capitol Theatre with a Membership!

The general public can share in the excitement of presenting a broad variety of entertainment by joining the theatre family through membership. Members are entitled to special discounts on movies and Theatre productions throughout the year. They also receive "The Marquee", a semi-monthly newsletter.

Annual Business membership to the Capitol makes it possible for the theater to produce quality performances at reasonable prices. Business members can take advantage of all discounts that individual members receive. Business members receive recognition in each of our program playbills.

To sign up, call 315-337-6277 today!

 

 

Hollywood Collectors & 
Celebrities Show

"NEW" Show Location

Hilton Burbank Airport & Convention Center
2500 Hollywood Way
Burbank, California  91505
1-818-843-6000
Fax: 1-818-842-9720
Reservations: 1-800-840-6450
Group Code HLE

General Admission is $15.00 Daily
A 2 day admission is $25.00 
for both Saturday and
Sunday
 

Chicago North Shore
Saturday March 15th
Sunday March 16t
Chicago Marriott Hotel
8535 West Higgens Road
Chicago, Il 60631
1-866-614-8407


     HOLLYWOOD      COLLECTORS
 SHOW, INC.

2008
Show Schedule

  
   April 26th & 27th
   July 12th & 13th


 

'A MINIMUM  "2"  NIGHT HOTEL STAY' is required at the Hilton Burbank Airport & Convention Center to get our special "Hollywood Collectors Show, Inc." room rate of $99.00 per night plus 'FREE' admission to our Show  

Reservations must be made by September 30thAll rooms are now based upon availability 

To make your Hotel reservation, with the Hilton Burbank Airport & Convention Center contact them directly at either 1-800-842-6450 or 1-818-843-6000.  

Please use our group code HLE when making your hotel reservation.

The Hilton Burbank Airport & Convention Center is located directly across from the 'main' entrance to the Burbank / Glendale / Pasadena Airport (aka The Bob Hope International Airport).

The Hotel does provide 'free' courtesy shuttle service, 24/7, to and from this airport.

Universal Studio is located 4 miles from our host Hotel.

Our Show will open to the 'general public' at 10:00am on both Saturday and Sunday.

Our dealers / vendors will be setting up on Friday evening, September 30th, and on Saturday morning, October 1st. 

Collectors, fans and the general public who pay our 'Early Bird' admission price of $25.00 will also be able to attend our Show on Friday evening, from 5:00pm until 8:00pm, and on Saturday morning, from 8:00am until 5:00pm.

Our 'Early Bird' admission price of $25.00 is available to the general public.

Hotel guests who are registered under our special  "2"  night Show rate code, 'HLE', can also attend our Show 'FREE' during the same Show hours as our 'Early Birds'.

In addition to 'always' having between 85 to 100 celebrity guests attend 'every' Show, we will have over 200 vendor / dealer tables with the best movie and television memorabilia, for sale, that Hollywood has to offer.

The Hilton Burbank Airport & Convention Center will charge our Show attendees $6.00 per day for 'PARKING'. 

Dealer and Show Information:

Hollywood Collectors Show, Inc.
Ray and Sharon Courts
Post Office Box 5040
Spring Hill, Florida  34611
Telephone: 352-683-5110
           Fax: 352-688-8114

All of our celebrity guests will 
charge a fee for their autographs
.


Cameras and / or video recorders
  
are
permitted at all of our Shows
.

We will start advertising celebrity guests, who will be attending this Show, as they confirm.

For dealer / vendor and Show information 
or to be put on our 'snail mail' mailing 
list, please contact:

Hollywood Collectors Show, Inc.
Ray and Sharon Courts
Post Office Box 5040
Spring Hill, Florida  34611
Telephone: 352-683-5110
Cell: 352-396-5110
Fax: 352-688-8114
E-Mail: hcs@atlantic.net

"GOD Bless America 
&
Our Troops"


Cameras are permitted
at All of our Shows
.

However, some of our celebrity guests may
 not want to be photographed. As a 
courtesy to all of our celebrities, 
it's always 'polite' to ask their 
permission 'first' before you 
photograph them
.
 



Previous show guests have included;

Saturn Award Winner Margot 'Lois Lane' Kidder
From  "Superman I, II, III & IV", "Sisters", "Black Christmas", "Quackser Fortune Has A Cousin In The Bronx", "The Great Waldo Pepper", "92 In The Shade", "The Reincarnation Of Peter Proud", "A Quiet Day In Belfast", "Heartaches" and "The Amityville Horror"  (Ms. Kidder also co-starred on "McQueen", "Corwin", "Nichols", "Shell Game" and "The Secret Adventures Of Jules Verne")

Betsy Palmer
From  "Mister Roberts", "The Long Gray Line", "The Tin Star", "The Last Angry Man", "The True Story Of Lynn Stuart" and "Friday The 13th I, II, III & IV"  (Miss Palmer also co-starred on "I've Got A Secret", "Number 96" and "Knots Landing")

Jack LaLanne
From  "The Jack LaLanne Show"

Barry Morse
From  "Hounds Of Notre Dame", "The Shape Of Things To Come", "Power Play", "Sadat", "Daughter Of Darkness", "No Trace", "Lord Durham", "Puzzle Of A Downfall Child", "Kings Of The Sun", "Murder By Phone", "One Man" and "Funeral Home"  (Mr. Morse also starred on "Whoops Apocalypse" and "The World According To Nicholas" plus he co-starred on "The Adventurer", "The Zoo Gang", "Space: 1999" and as 'Lieutenant Philip Gerard' on "The Fugitive"

All of our celebrity guests will charge a fee for their autograph.

Additional celebrity guests will 
be advertised as they confirm
.



 


 

A-1 Video remembers Ronnie Hazlehurst
Fans of British sit-coms as well as the music of Laurel and Hardy were saddened at the recent passing of Ronnie Hazlehurst. Additional information on his career was supplied courtesy of Ali Stevenson;
"Ronnie Hazlehurst was an active member of the Helpmates tent of Sons of the Desert, the worldwide Laurel and Hardy society. During his tenure as musical director on the BBC's "Generation Game" the band played Ronnie's arrangements of favorite tunes from the films of Stan and Ollie. Two volumes of "Music Box" albums set the mood for Sons of the Desert gatherings around the world. The late Tony Hawes, a BBC scriptwriter and the voice behind the conveyor belt on "The Generation Game", married Stan Laurel's daughter Lois in 1981.
Ronnie traveled with us to Sons of the Desert gatherings in the UK and overseas and his orchestra played at several conventions. He was a lovely man - warm, easy-going, funny and very generous - and he'll be greatly missed by his many friends."

Ali Stevenson, Manchester, NH, USA


 



Photo courtesy of The Times On Line - all rights reserved

A-1 Video remembers John Stingley
"Cinevent" co-chairman John Stingley.
John, along with his fellow chairmen Steve Haynes and Arthur Graves, provided a forum for us collectors to gather and trade with each other. A lot of what this web site has to offer is a result of our ability to gather in a friendly atmosphere of these conventions and exchange materials as well as ideas through the friendships we've made.
John was a friend of mine and I shall miss his humorous observations and anecdotes that were a part of our great enjoyment of the "Cinevent". God bless and keep John Stingley.


 


 



INTRODUCTION


  For those of you new to this web site, A-1.video.com  specializes in collector videos on various subjects from first half of the 20th century. With the recent anniversary of the cinemas first 100 years, there has been a renewed interest in it's origins and development. Early motion pictures not only bring us a true to life record of our history, culture, fashions and trends but also reflect what was important subject matter to the general population at a given time in history. Our politics, social concerns, morality and our sense of humor all can be evaluated by the types of movies our ancestors paid their nickels to see.
   The scientific and technical advances can also be accounted for and analyzed. The events of history have affected early cinema and its development. France, Great Britain, Italy and Germany all played early key roles in the development of film in its various technical and artistic forms only to have wars intervene and allow other countries, mainly America to forge ahead and break new ground.
   Sadly, much of this rich heritage has all but vanished forever due to the instability of nitrate film stock which was made at the time. What survives is, in most cases, less than perfect quality and incomplete. Thankfully, through the efforts of restoration facilities such as The Eastman House, The Library of Congress as well as private companies such as Encore Entertainment and The Nostalgia Archive we can still enjoy a portion of this unique art form.
  A-1 Video specializes in the collecting of these early efforts through special arrangements with various facilities such as Encore Entertainment, Videobrary, Moviecraft, American Heritage Media Library ,Festival Films and Hal Roach Studios to name a few. Many titles are cross-listed in more than one category page due to the multiple interest range.


FORMATS

All videotapes are available on the ½" VHS format. Beta 2 (not to be confused with betacam) format can be special ordered as can 8mm  and 3/4" U-matic video formats. Special pricing and quantities are in effect for these other formats.
All tapes are available in the NTSC broadcast standard. PAL or SECAM are subject to special pricing and territorial restrictions.
U-matic (a.k.a. 3/4" format) is also available upon special request and pricing information.

QUALITY

We want to assure our customers that they are getting the best possible quality of a given subject. Since many of our films are from  75 years ago or longer with no original source material, the picture quality may vary from movie to movie. Every attempt is made to up-grade materials when new pre-print material is discovered. For DVDs we stock only the best quality compression rates. In what VHS we still deal with, we stock only tapes that are recorded in the SP (standard play) mode for best reproduction. We do not sell tapes that are in the EP (slower extended play) mode.

ABOUT COPYRIGHTS
  N
Most tapes are fully copyrighted and sold under lease agreements from owners. They may not be duplicated or shown in public performances. Nor may they be broadcast over the airwaves or via cable television or through inter-net sources without granted permission from A-1 Video and The American Heritage Media Library. Copying tapes and packaging for resale or rental is a violation of applicable laws. Permission can be worked out on any titles that we carry. Some movies that are considered in the public domain are copyrighted versions. All due effort has been made to ascertain the copyright status of programming offered and no rights are given or implied without permission. All photos and images of characters both real or from fictional or animation are used here purely as a visual aid for the products which may still be owned by parent companies. Use of these images are not for re-sale or manufactured items (such as coffee mugs, tee shirts, etc.) without permission from the owners of these characters or images.

PERMITTED USAGE
(particularly schools, libraries, etc.)
Although most tapes say "For Home Use Only" on their boxes, they may be in fact rented out by video stores or loaned out to and by libraries and library patrons. Many schools ask if it is legal for them to use copyrighted videocassettes. In the United States, at least, the answer is YES, providing that a school shows tapes in a face-to-face classroom situation. This means that a teacher may introduce a film as a part of a course study and then run it on a DVD or VCR in the same room or auditorium. The United States Copyright Law specifically permits this. Not permitted is the broadcast of tapes on closed circuit TV or in "public performance" before audiences in a library, student lounge, public bar, prison, etc. These laws are regularly modified, however and users are advised to obtain legal information if these uses are unclear.
While we are happy to sell to foreign customers, we have no way of determining exactly what the copyright laws or permitted usage might be in foreign countries. Permitted usage by foreign customers is the same as in the U.S. on all A-1 Video releases. Any special usages must be obtained in writing from A-1 Video.

PRICES

Prices are subject to change without notice either up or down. While most tapes tend to drop in price over a period of time, a few are more expensive than past listings due to re-release of better quality versions or due to royalty renewal agreements. If and when a given title does go down in price or is permanently reduced we will give you the lower price when we process your order.
Likely price increases will only occur when either raw materials increase (blank tapes, printing, etc.) or if royalty agreements should increase. Shipping costs and credit card fees are worked into the total of your order. Those paying by check or money order may do so but please remember shipping charges are additional and we may reserve the right to hold your order if payment is made without shipping costs. You will be notified that additional few dollars are necessary to complete your order.


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