A-1 Video & Film Services
NEWS AND EVENTS
Page
Thank you for visiting our WEB
SITE. It is continuously undergoing changes and additions. New releases are added at
any time. In addition to any NEW RELEASES that are added, there will be some news about
collector's conventions (see below) and other related topics. Recommended reading
of books and periodicals are listed in each section according to related topic
(i.e. musical, comedy, silent cinema, etc.) Visit our
"Other Sales and Services" section for thousands of collectibles and rarities.
SHOWS
OF INTEREST
FILM COLLECTORS CLUB INTERNATIONAL SHOW AND MEET May 1 & 2,2010 WILDWOOD NJ
The second film show and meet is coming up. This is, as far as I know, the only show that is nothing but film and equipment. At the first show, even with terrible weather, we had a blast for 2 solid days. A lot of you said that you wanted to see if the show would work before coming. Well, it did and I’m doing another. This show is being done for all of us still hanging onto our collection of films and equipment. It’s a great way to get to know each other and pick up some bargains. No bidding up, no last minute sniping, see the film before you buy it! We will be screening film all night long! This is a very non formal show, so if you want to run one of your films, go ahead! Show hours are; Saturday, 10-who knows? Sunday, 10-4. If you feel the need to escape for a few hours, Atlantic City is 30 minutes away. We will be oceanfront this time, so enjoy the ocean right out the door. If there is enough demand, we will have an auction Sunday. If you don’t plan on being a dealer, load up the trunk with goodies to swap. The only rule of this show is to have fun! I’ve have worked hard to make this show affordable to everyone. Dealer tables are only $25 for one and $20 each for more than one. Admission is $5 a day. Room rates are only $75 per night when mentioning the Film Show. It will be held at the Ocean Holiday Resort, Ocean Avenue, Wildwood Crest. Call 609-729-2900 for reservations. Any questions or dealer table requests, email me at johnnyraoul@netzero.com, or call me at 856-468-3269. If I’m not here, leave a message, and I will reply. Again, this show is for you and strictly a non profit operation. Let’s make it a good one and we will do it again in the fall. Many thanks to Shorty and Doug Meltzer for all of their help at the first one. So, hope to see you!
John Black
![]() ![]() ![]() Cinevent photos courtesy of Jim Smith |
Another great success at
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MORRIS EVERETT, JR. 10535 CHILLICOTHE RD (440) 256-3660 Fax (440) 256-3431 |
MARTY DAVIS 43215 N. NATIONAL TRAIL Fax (623) 551-6622 |
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The Syracuse CINEFEST |
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The annual Cinefest is held every
March.
Photos of recent Cinefest
activities courtesy of Larry Urbanski
and Patrick Picking.
Featuring great films from four glorious
days from the vaults of the world's greatest libraries and obscure specialties
we are noted for from private collectors!
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Thirty years
ago, Phil Serling and the Syracuse Cinephile Society had the idea to host a
regional Cinecon, our own version of the Annual Labor Day Cinecon. He called it
Cinefest and chose the month of March for the annual get-together. For thirty
years Cinefest has screened some of the best and rarest films.
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Cinefest General Information: |
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For hotel reservations call:
Holiday Inn - (same hotel as last year!)
441 Electronics Parkway
Liverpool, NY 13088
315.457.1122
FALL CINESATION watch ths!
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Sept. 2010 CELEBRATION: Films and
presentations |
Hollywood Collectors &
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2009 Show Schedule for Burbank, CAOur Next Show Will Be:February 14th & 15th (Saturday / Sunday)April 25th & 26th(Saturday / Sunday)July 18th & 19th(Saturday / Sunday)October 10th & 11th (Saturday
/ Sunday)
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'A MINIMUM "2" NIGHT HOTEL STAY' is required at the Hilton Burbank Airport & Convention Center to get our special "Hollywood Collectors Show, Inc." room rate of $99.00 per night plus 'FREE' admission to our Show.Reservations must be made by September 30th. All rooms are now based upon availability.To make your Hotel reservation, with the Hilton Burbank Airport & Convention Center contact them directly at either 1-800-842-6450 or 1-818-843-6000.Please use our group code HLE when making your hotel reservation.The Hilton Burbank Airport & Convention Center is located directly across from the 'main' entrance to the Burbank / Glendale / Pasadena Airport (aka The Bob Hope International Airport).The Hotel does provide 'free' courtesy shuttle service, 24/7, to and from this airport.Universal Studio is located 4 miles from our host Hotel.Our Show will open to the 'general public' at 10:00am on both Saturday and Sunday.Our dealers / vendors will be setting up on Friday evening, September 30th, and on Saturday morning, October 1st.Collectors, fans and the general public who pay our 'Early Bird' admission price of $25.00 will also be able to attend our Show on Friday evening, from 5:00pm until 8:00pm, and on Saturday morning, from 8:00am until 5:00pm.Our 'Early Bird' admission price of $25.00 is available to the general public.Hotel guests who are registered under our special "2" night Show rate code, 'HLE', can also attend our Show 'FREE' during the same Show hours as our 'Early Birds'.In addition to 'always' having between 85 to 100 celebrity guests attend 'every' Show, we will have over 200 vendor / dealer tables with the best movie and television memorabilia, for sale, that Hollywood has to offer.The Hilton Burbank Airport & Convention Center will charge our Show attendees $6.00 per day for 'PARKING'. |
All of our celebrity guests will
charge a fee for their autographs.
Cameras and / or video recorders
are permitted at all
of our Shows.
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A Revised and
Expanded Guide by Scott MacGillivray & Ted Okuda Book Description "Soundies" were the granddaddies of music videos: single-song musical movies that played in special jukeboxes during the 1940s. Some of the biggest musical stars (and stars of the future) appeared in these films: Louis Armstrong, Spike Jones, Liberace, Fats Waller, Stan Kenton, Cab Calloway, and many others. Thanks to Soundies, hundreds of unique musical performances were photographed for posterity. These mini-musicals were originally nothing more than a ten-cent novelty. Today, to film and music fans, they're a priceless part of history. |
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Scott MacGillivray and Ted Okuda,
authors of the landmark resource book The Soundies Distributing Corporation of
America, now offer this revised and expanded guide to the Soundies musicals.
This all-new book picks up where the original left off: more than 1800 titles
are classified by performer, title, and date-many with new, individual
annotations and all with new cross-references for easy reading and consultation.
There is also a historical account of the prolific Soundies production
companies, a look at Soundies' many competitors and descendants (including
telescriptions and Scopitones), a checklist of the dozens of Soundies home-movie
editions, and a listing of alternate titles to help collectors identify the
films more easily. All in one handy volume: The Soundies Book. |
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A-1 Video remembers Ronnie
Hazlehurst Ali Stevenson, Manchester, NH, USA |
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![]() Photo courtesy of The Times On Line - all rights reserved |
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A-1 Video remembers John
Stingley |
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A-1 Video remembers Rusty
Cassleton
Thanks to Tom
Stathes for this Related Content information. Careful readers of Film Forum’s repertory calendar over the past 20 years will recognize that name. On just about any series that included a silent movie, it could be found in the “special thanks” section, appearing scores of times. Harold “Rusty” Casselton was a collector, archivist, private preservationist, and college instructor, who died on December 30 , 2007 at age 53. A notice in his local newspaper described him as “a film buff,” but the word “buff” doesn’t begin to describe who he was, or his contribution to film culture. Rusty was a passionate collector, who, with his late partner and mentor Ted Larson, built up one of the world’s great private film libraries; a cinevangelist, whose love of movies (silents in particular) was infectious; and a gifted teacher, who turned his students, far from recognized film centers, into ardent aficionados for life. He established a film
studies major at Minnesota State University Moorhead, in the small city
where he lived with his wife and two daughters. (Moorhead is adjacent to
Fargo, North Dakota -- yes, the same town immortalized in the Coen Brothers
movie.) When his program began in 2000, thirty MSUM students elected it as a
major. That number quadrupled within three years. Even more impressive is that Rusty also restored films, normally the work of big archives and an extraordinary job for an individual. One of his restorations was the 1920 "Headin’ Home", starring Babe Ruth, which we presented on the 100th anniversary of the Sultan of Swat’s birth. Rusty rushed the restoration through to meet the date. That’s the kind of guy Rusty Casselton was.
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For those of you new to this web site, A-1.video.com
specializes in collector videos on various subjects from first half of the 20th century.
With the recent anniversary of the cinemas first 100 years, there has been a renewed
interest in it's origins and development. Early motion pictures not only bring us a true
to life record of our history, culture, fashions and trends but also reflect what was
important subject matter to the general population at a given time in history. Our
politics, social concerns, morality and our sense of humor all can be evaluated by the
types of movies our ancestors paid their nickels to see.
The scientific and technical advances can also be accounted for and
analyzed. The events of history have affected early cinema and its development. France,
Great Britain, Italy and Germany all played early key roles in the development of film in
its various technical and artistic forms only to have wars intervene and allow other
countries, mainly America to forge ahead and break new ground.
Sadly, much of this rich heritage has all but vanished forever due to
the instability of nitrate film stock which was made at the time. What survives is, in
most cases, less than perfect quality and incomplete. Thankfully, through the efforts of
restoration facilities such as The Eastman House, The Library of Congress as well as
private companies such as Encore Entertainment and The Nostalgia Archive we can still
enjoy a portion of this unique art form.
A-1 Video specializes in the collecting of these early efforts through special
arrangements with various facilities such as Encore Entertainment, Videobrary, Moviecraft,
American Heritage Media Library ,Festival Films and Hal Roach Studios to name a few. Many
titles are cross-listed in more than one category page due to the multiple interest range.
FORMATS
All videotapes are available on the ½" VHS
format. Beta 2 (not to be confused with betacam) format can be special ordered as can
8mm and 3/4" U-matic video formats. Special pricing and quantities are in
effect for these other formats.
All tapes are available in the NTSC broadcast standard. PAL or SECAM are subject to
special pricing and territorial restrictions.
U-matic (a.k.a. 3/4" format) is also available upon special request and pricing
information.
QUALITY
We want to assure our customers that they are getting the best possible
quality of a given subject. Since many of our films are from 75 years ago or longer
with no original source material, the picture quality may vary from movie to movie. Every
attempt is made to up-grade materials when new pre-print material is discovered.
For DVDs we stock only the best quality compression rates. In what VHS we still
deal with, we stock
only tapes that are recorded in the SP (standard play) mode for best reproduction. We do
not sell tapes that are in the EP (slower extended play) mode.
ABOUT COPYRIGHTS
Most tapes are fully copyrighted and sold under lease agreements
from owners. They may not be duplicated or shown in public performances. Nor may
they be broadcast over the airwaves or via cable television or through inter-net
sources without granted permission from A-1 Video and The American Heritage
Media Library. Copying tapes and packaging for resale or rental is a violation
of applicable laws. Permission can be worked out on any titles that we carry.
Some movies that are considered in the public domain are copyrighted versions.
All due effort has been made to ascertain the copyright
status of programming offered and no rights are given or implied without
permission. All photos and images of characters both real or from fictional or
animation are used here purely as a visual aid for the products which may still
be owned by parent companies. Use of these images are not for re-sale or
manufactured items (such as coffee mugs, tee shirts, etc.) without permission
from the owners of these characters or images.
PERMITTED USAGE (particularly schools, libraries, etc.)
Although most tapes say "For Home Use Only" on their boxes, they may be in
fact rented out by video stores or loaned out to and by libraries and library patrons.
Many schools ask if it is legal for them to use copyrighted videocassettes. In the United
States, at least, the answer is YES, providing that a school shows tapes in a face-to-face
classroom situation. This means that a teacher may introduce a film as a part of a course
study and then run it on a DVD or VCR in the same room or auditorium. The United States
Copyright Law specifically permits this. Not permitted is the broadcast of tapes on closed
circuit TV or in "public performance" before audiences in a library, student
lounge, public bar, prison, etc. These laws are regularly modified, however and users are
advised to obtain legal information if these uses are unclear.
While we are happy to sell to foreign customers, we have no way of determining exactly
what the copyright laws or permitted usage might be in foreign countries. Permitted usage
by foreign customers is the same as in the U.S. on all A-1 Video releases. Any special
usages must be obtained in writing from A-1 Video.
PRICES
Prices are subject to change without notice either up or down. While most
tapes tend to drop in price over a period of time, a few are more expensive than past
listings due to re-release of better quality versions or due to royalty renewal
agreements. If and when a given title does go down in price or is permanently reduced we
will give you the lower price when we process your order.
Likely price increases will only occur when either raw materials increase (blank tapes,
printing, etc.) or if royalty agreements should increase. Shipping costs and credit card
fees are worked into the total of your order. Those paying by check or money order may do
so but please remember shipping charges are additional and we may reserve the right to hold
your order if payment is made without shipping costs. You will be notified that additional
few dollars are necessary to complete your order.
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